35/29
My husband is in danger!
Synopsis
A mother is forced to reinvent herself when her family’s life is destroyed by arbitrary violence during the tightening grip of Brazil’s military dictatorship in 1971. The Brazilian Film Academy selected it for the Best International Feature Film competition at the 2025 Oscars. Eunice Paiva: Martha, you have to help me. Martha: Everyone is in danger, Eunice.. Appears in Mais Você: Episode dated December 3, 2024 (2024).
The Feast of the Holy King Written by Léo Maia (as Marcio Leonardo) Starring Tim Maia
"I’m Still Here" goes beyond being just another film about a military dictatorship, offering a human, intense and brutally intimate portrait of a family falling apart under overwhelming, uncontrollable force. With his raw style and unparalleled sensitivity, Walter Salles returns to the theme of a country steeped in repression, but instead of focusing on major political events, he focuses on their consequences in households and personal lives. By focusing the story on a family drama, Salles subverts the expectations of traditional historical film, eschewing documentary tones or broad structural focus. Here, 1970s Brazil is touched by the struggles of the Paiva family, and in the painful detail of their shared wounds, Salles depicts the scars left by a dictatorship that, while distorted in collective memory, remains vivid in the lives it shattered. The focus of the narrative through the perspective of Eunice – played by the iconic Fernanda Torres and Fernanda Montenegro – lends the film an undeniable authenticity.
Fernanda Torres’ performance deserves great praise
While coping with the loss of her husband Rubens Paiva (Selton Mello), a public figure and human rights defender, Eunice must keep her family together and maintain the emotional stability of her children. Eunice is the pure embodiment of resilience and motherly love, and her daily routine, her rituals with her children, and the moments shared as a family are pieces of a once ordinary life that is now shattered by his sudden absence. Family dinners and memories of beach trips become painful when we revisit them after Rubens’ disappearance, as they reveal the void left by systemic violence. Salles skillfully uses this family intimacy to show how dictatorship destroys emotional bonds and disrupts the peace of every household, forcing viewers to reflect on how history is shaped by losses and quiet moments in everyday life. She embodies a woman who refuses to be immobilized by grief, balancing her protection of her children with a relentless search for answers about her husband’s whereabouts.
This balance of strength and vulnerability gives Eunice a distinct and essential presence in the film
Montenegro, as the older Eunice, in a moving and remarkably mature performance, intensifies the impact of Rubens’ absence, bringing a heavy, almost physical silence that resonates with those who never got the chance to say goodbye. The real-life relationship between Montenegro and Torres as mother and daughter lends authenticity to the transitions in time, making her portrayal of Eunice all the more heartfelt and believable. This real continuity allows Salles’ film to transcend mere fiction and achieve a depth that only a personal story can achieve. Technically, the film is a visual feat that captures the intimate pain of this family through meticulously crafted cinematography. The use of confined spaces and close-ups reveals the characters’ physical and psychological imprisonment, reflecting the oppression that hangs over their lives.
The soundtrack follows the most emotional scenes with an almost mystical quality, blending with the characters’ feelings like a whisper that holds back the pains of the past
Sale’s use of music is intriguing, not only to intensify the drama but also to evoke an almost tangible nostalgia in the air, an echo of absences that can never be overcome.
https://flytimeedu.com/bangkok-dog-2024-download-via-magnet/
Recent Comments